Saturday, 7 July 2012
Batman: Earth One Review
In critiquing "Batman: Earth One", comparisons to Frank Miller's masterpiece "Batman: Year One" are unavoidable. That story told much the same tale, with a freshly trained Bruce Wayne returning to Gotham seeking vengeance for his murdered parents. Similarly, it documents Lieutenant James Gordon's troubles as the only honest cop in a corrupt Police Department. However, that is where the similarity ends, with both stories taking a very different structural approach.
Ironically, "Batman: Year One" feels timeless in comparison to this latest entry. Nothing in "Batman: Year One" relied upon style or pop culture references, of which "Batman: Earth One" is most definitely guilty. The look of Batman's equipment, infrequent mentions of reality shows and Blurays, something tells me this incarnation will date rather badly given ten years or more.
However, the changes aren't purely cosmetic, extending to some curious character beats. Chief among them, Bruce Wayne himself. No longer was he strictly an innocent child, from Geoff Johns' perspective he was a rather petulant and annoying brat. All other retellings of the death of Thomas and Martha Wayne have Bruce as damn near angelic, focussing on the innocence lost that night. Whereas, in this world, Bruce ran off stubbornly into a dark alley and led his family to the slaughter not by chance, but because HE INSULTED THE MUGGER! This may be slightly dark and sadistic of me, but after such terrible behaviour from the young Wayne, he deserved to be taught a lesson. I hate to think of the spoiled trust fund baby this incarnation would've produced.
As to the young man's burgeoning career as a masked vigilante, I say - don't give up your day job! Other accounts typically show small errors in Batman's early outings. Whilst here, he's frequently screwing up on a grand scale. So much so, it's easier to list his flaws than anything he does right. I can't help but wonder whether or not DC are trying to steal a page out of Marvel's playbook by featuring "relatable" heroes over their traditional gods-among-men. This is very much in the vain of Spider-Man, where he'll forget to reload his webshooter and come crashing down to the ground with a thud. It's basically DC via Marvel.
Some of the more fascinating changes come in the form of Jim Gordon and his new partner Harvey Bullock. Traditionally speaking, Gordon has always been the straight laced stick in the mud who'll do whatever is right, no matter the consequence. Meanwhile, Bullock plays things fast and loose, turning a blind eye to injustice, as long as it suits his purposes. However, Earth One finds the dynamic flipped somewhat, with Bullock displaying a striking level of naivety, while Gordon has become world-weary. This version of our favourite cop has been broken utterly by the Mob. He's not complicit in their crimes or even on the take, but after losing his wife in a suspicious car accident, he's also lost his will to fight back. It takes this new bumbling take on Harvey Bullock to bring him back to the side of the righteous. Alot of my favourite moments from the book featured the duo, whether it be Gordon rediscovering his passion for the job or Bullock being chilled to the bone at the atrocities of Gotham City.
One aspect of the book that nobody could fault is the art. Gary Frank has outdone himself, which is no mean feat considering his past work on Supreme Power and Action Comics. There are multiple single panel pages that stop the story dead in it's tracks, mesmerising you with their beauty. I was particularly impressed by images of Batman laying hurt in an alleyway and another later featuring him perched atop a nasty looking villain he'd just taken down. Whatever faults lay with this book, Gary Frank can sleep well knowing he's absolutely blameless. Artists of the future will be aspiring to his high standard for years to come.
I may be the wrong person to be judging this novel. DC and Marvel have flooded the market with revamped origins every couple of years and as such, I'm absolutely burnt out on any superhero's beginnings. Just as long as they have their powers and have a rollicking good adventure in the process, I'm not sure I need to know how they got into that position. Leave it a mystery, at the very least it won't be retold a hundred times over like a bad game of Chinese Whispers. "Batman: Earth One" is exactly that - a story that once held meaning, but has been told so many times that it's lost alot of pathos along the way.
5 out of 10